IC UNIQUE
Michael Anastassiades’s Modern Classic Celebrates its first Decade
by Felix BurrichterFew designs have had more impact on lighting in recent years than IC, a collection of light fixtures designed by London-based designer Michael Anastassiades. Ideated in the early 2010s and commercially released by Flos in 2014, the IC light is an evolution of Anastassiades’s ongoing fascination with spherical shapes, which he has explored since launching his eponymous London-based design studio in 1994. “My obsession with the sphere as a shape comes from seeing it as the ultimate primal form,” Anastassiades once said. “There are a lot of round things around us: the planets, the sun… and that familiarity feels very comfortable to me.”
That comfort was appreciated by many; almost immediately upon its release, the IC flew off the proverbial shelf. At just under 700 dollars, it’s a fraction of the price of most designs Anastassiades releases under his own brand, Michael Anastassiades, or through collectible design galleries such as Nilufar in Milan or The Future Perfect in New York. “I think IC is an example of how relatively affordable design can remind us of the magic of bringing reconstituted art into our homes as an accessible object,” explains Flos’s creative director Barbara Corti, who values Anastassiades not only for his designs but also for his intellectual integrity and generosity. “What makes working with Michael special is his very pure, simple lifestyle — free from conventions. Michael wants to remain free, and he chooses his projects carefully,” says Corti.
The IC’s carefully calibrated simplicity is the real foundation of its popularity. Its glass sphere is perched from or attached to an inclined metal base in either chrome, black, or the original brass — an investigation into balance in its purest form. This playful austerity is also what makes the IC so evocative: is it an oversize pussy willow? A fluffed-up bird sitting on a twig? A scoop of ice cream slipping off a spoon? A sunset? The moon? No matter what you see when you look at this lighting Rorschach test, it’s evident that the interpretative quality is mainly responsible for the IC’s ongoing success. (Fun fact: the original inspiration was a juggler.)
Before long, copycat versions of IC crept into the market. But the design’s uniqueness only became more apparent with every new attempt to recreate its magic. The fact that there continue to be many copies of IC can be flattering, admits Anastassiades, who jokes that the sight of poor copies is like “looking at myself in the mirror from a bad angle.” “It takes great skill to strike a balance between, proportion, scale, materiality, and detailing — for as simple as the IC lamps are, it’s all in the way they are detailed. When you see the copies, they’re all off,” he adds. Ironically, one year after launching the IC, Anastassiades released another spherical light called Copycat, also with Flos. Whether the name is a nod to IC’s many imitators remains unclear.
“To me, IC has now become an icon because it embraces the present and grasps and perceives time, but it seems to have always been here. It has an almost primordial quality to it,” states Corti, who points out that there are now six different versions of IC in the Flos collection. The person most surprised by the IC’s success is Anastassiades himself. “When we released IC, I had already been working with the shape materiality — the sphere and brass — for a decade, so it was a natural evolution of my work, but for Flos, it was a new language,” he says. “I never expected it to become as successful as it has.”
On the occasion of the IC’s tenth anniversary, Anastassiades and Flos not only launched a limited edition IC in 24k gold but also called upon ten different creatives to reinterpret this modern classic. Artists and photographers, including Yago Castromil, David Luraschi, Nicolas Kern, Olya Oleinic, Eduard Sánchez Ribot, and Luis Úrculo; illustrators like Oscar Grønner, Sany, or Jay Daniel Wright; and poet Aurielle Marie created their interpretation of IC. “Over the years, I’ve seen the IC in so many contexts and settings, whether in a magazine photo shoot, on TV, in movies, an illustration on the cover of Zeit Magazin… So when we thought about celebrating the popularity of the IC, we felt it was important to show it in the many different aspects of culture, through many different lenses,” remarks Anastassiades. To Corti, the selection of artists “represents the many possible worlds in which to celebrate IC’s unique quality.”
PIN–UP is premièring these IC images as a digital exclusive, proving that original design is at its best when it hits that balance between being timeless and completely of its time.
View the limited edition IC in 24K gold here.